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„Slasher“ žanras prikeltas 2018 m.! „Boogymen“ grįžo!

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„Slasher“ žanras prikeltas 2018 m.! „Boogymen“ grįžo!

Slasher films defined my generation. Back in the glorious days of the 80’s, we wee-little horror tikes were graciously weaned off the blood and mayhem splattering (oh so marvelously) across cinema screens. From sea to shining sea there was a flowing fountain of blood spilling over and flooding right before our little eyes. Our senses were enthralled by the gruesome onslaught of horror titans like Fredis, Jasonas, ir Michael Myers.

The Era of the Boogymen!

We saw their rise to power. We watched them hunt, stalk, and slaughter their prey with scrupulous efficiency. Carnage and mayhem followed behind their blood-soaked footsteps and we could not pull our eyes away from the dripping spectacle in front of us. We rejoiced when the slasher kings came back for unrelenting revenge against those who dared to stand in their way. And we knew they could never truly be killed.

image via Hollywood Reporter, ‘Friday the 13th: New Blood’ dir. John Carl Buechler

They were an unstoppable force to be reckoned with in the pantheon of horror. We all had our personal favorites and would spend recess time all arguing who would win if Freddy and Jason fought. Or if Leatherface could be killed by Michael Myers. We speculated how come they could always come back and we waited (im)patiently to see the upcoming installment to all of their franchises.

Movie theaters and video rentals alike were alive with posters and standees of our favorite evil icons of death and dismay. And…hmmm. We might have been rejoicing in death, and maybe that’s why so many evangelical groups rose up in protest.

Critics alike lent their televised voices to preach against the devilry of these films. Parents were warned that such movies were made by deranged minds to corrupt the virgin souls of their children. OooooooooOOOOOooooo

Image via Grindhouse Releasing, ‘Pieces’ dir. Juan Piquer Simon

Admittedly, it was pretty sick, but we couldn’t be bothered by that. We couldn’t wait to feast our eyes on what new installments had in store for us. And then, to the sorrow of us all, it came to an end. Our hearts dropped when – one by one, from Freddy to Jason and everyone in between – they either died or their franchises did.

But, they couldn’t die for real, could they? Our little hearts remained hopeful.

 

The 90’s Revival

A marvelous resurgence in the Slasher field came to us with one simple phone call and the fatal question that soon followed, “What’s your favorite scary movie?” Out of nowhere a brand new masked killer was among us and one movie revitalized a genre we all feared might have been gone for good.

Rėkti brought the slasher genre out of the ashes and everyone and their mother was talking about scary movies again.

image via giphy, ‘Scream’ dir. Wes Craven

Love it or hate it, no one can deny that Rėkti restored horror titles to the mainstream’s attention. People were talking about Ūžia ir Helovinas, and then, just like that, folks who never watched a horror film a single day in their lives suddenly found themselves eaten-up with a need to run to their local rental stores to pick up these titles so reverently spoken of in Wesas Cravenas new horror masterpiece.

Plenty others had to jump on the bandwagon and soon we had copy-cat Rėkti Filmai patinka aš žinau ką tu padarei praeitą vasarą, Valentino diena, ir Miesto legendos. All good in their own right, but the series that stands out to me is a very unique slasher film called Galutinis tikslas, a movie that proves that if Death has laid her hand on you there is simply no escape.

Though not a slasher, I can’t leave out the impact Blair Witch Project had on audiences as well. It took each of these films to pull horror out of obscurity and rejuvenate it for new and old fans alike. And it all started with one single phone call. Thank you, Rėkti!

image courtesy of rogerebert.com ‘Scream’ dir. Wes Craven

 

That’s not to say it would last. There would be some weird times to come with the new millennium.

Horror fans sat through the torture porn era which was launched by PJŪKLAS ir Bendrabutis. Then we had the period when just about every single horror title from the 70’s and 80’s was put through the remake grinder. Leatherface was given not one, but two origin stories that were polar opposite to one another. And neither one was really satisfactory to fans.

Not to mention we saw vampires sparkle and had to endure PG-13 rated scary movies. That meant no blood and no heart.  One could argue that horror might have been just a little dead.

However, with just as much wicked proficiency as the monsters they portray, slasher movies proved (once again) to be quite un-killable.

 

Slasher films have been revived in 2018!

Helovinas is smashing the box office. The Shape was taken back to the basic foundations of pure evil and unrelenting terror, the two very reasons why audiences fell in love with and learned to fear Michael Myers back int 1978.

image via IMDB, ‘Halloween’ dir. David Gordon Green

Fans are returning back to cinemas, again and again, to see The Shape savage the residents of Haddonfield, Illinois, proving that we don’t want a remake. We want a continuation, but one built on the principles and foundation of the original concepts that won us over in the first place.

Originalas Helovinas laid some of the pivotal foundations upon which an entire sub-genre would be built. Michael Myers was the quintessential Boogyman. In the first film you didn’t have any Thorn Cult to muddle things up, nor was there any mention of Michael hunting down his family members. No, he was just The Shape. He killed without reason and had no pity. He stalked his victims and killed them at his leisure.

You never could see his face or read his emotions. He was no longer considered a human being, but a Shape of destruction and pure evil. His success spawned a franchise and made way for other beloved horror icons to come.

image via Alternative Press, ‘Halloween’ dir. David Gordon Green

It’s with exceeding joy that we saw his hellish return this year. He’s once again proved that the old methods of filmmaking simply work.

Tačiau, Helovinas isn’t alone this year. There have been some amazing entries to the genre, and there’s talk that this is only the start of a brand new era of monsters and maniacs.

A film that shocked me was Svetimi žmonės: grobis naktį. I just hate the first movie, so I had very little expectations for this one. I only went to see this sequel because I had Movie Pass and it was raining outside. I thought maybe I’d go take a nap in the theater, and no I’m not joking. I really expected to be bored to death again, but how wonderfully surprised I was!

image via Dread Central, ‘Strangers: Prey at Night’ dir. Johannes Roberts

S: PaN is pure and true to the slasher genre. This time around the trio of killers felt more fleshed out and far more threatening than the last time. They each one had plenty of personality, as much as a masked killer can have I mean. And they did not skimp us on violence!

The kills came in plenty and were ruthless. This time around the psychotic trio are hunting down a family, and there’s this insatiable glee each of the three have in doing so.  That scene of the dad and the car radio became my favorite.

I’m not going to spoil this one for you, but it certainly has the Maniakas egzorcizmas seal of approval.  Not to mention the soundtrack is excellent. I’m so glad I was tired on that rainy day or I may have missed out on seeing this gem.

 

Pragaro šventė is another great slasher movie! People complained about this one, and I know that everyone is a critic. But when you realize that Pragaro šventė is a great slasher film you’ll get a lot more out of it. No, this is not Motina or Paveldimas. This is a slasher movie. It’s not supposed to be all artsy and philosophical. Neither was Penktadienis 13th, Texas Chainsaw Massacrearba „Sleepaway“ stovykla.

image via IndieWire, ‘Hell Fest’ dir Gregory Plotkin

Slasher films always were meant to be fun. Scares and laughs alike, but mainly scares. They were the rebel children of Hollywood. No damns could be given and they were balls to the wall intense fun. They took root back in a time when MTV was actually worth something and Metal and Horror just sort of blended together. These movies are like great rock concerts – loud, obtrusive, and too busy being badass to be sensitive.

Pragaro šventė gave me those same vibes. You cheer the masked killer who stalks our little lousy band of victims as they make their way across the magnificent Halloween themed attraction, Hell Fest. It’s a horror movie where a masked killer stalks his prey through haunted houses. I loved it! This one will be a must-watch every Halloween to come for me. Oh, and they do not skimp us on the gore in this one either. We get some nice splatter moments in this film.

Speaking of Halloween musts, Siaubingas has become one of my new favorite horror experience. This is a gruesome film depicting the sadistic exploits of Art, a demonic clown who takes enormous amounts of pleasure from the pain he slowly inflicts upon those unfortunate enough to catch his attention.

image via Dead Entertainment, ‘Terrifier’ dir. Damien Leone

Art was first featured in yet another Halloween spectacular, Visų Šventųjų išvakarės. In that horror anthology, Art was the show stealer. It only makes sense to give him his own feature film. One of the unique qualities Art has is his expressions. He displays a large array of emotions from annoyed to giddy. And he does it all without speaking a word. Art is mute and expresses himself through silence. It makes him far more terrifying.

I know, this was released in 2017. But most of us didn’t see it until this year once it was released on Netflix. So even though it is a year older, Siaubingas still stands with this year’s new class of slasher fiends. And this movie spills gore everywhere.

That’s just it. Each of these mentioned films is a true horror movie. They are fun, don’t bog themselves down with too much plot, and give us blood. Slasher movies are not that complicated and it’s great to see them back.

This year we also saw another classic icon return from the golden age of the slasher era. Robert Englund wore the glove again and became Freddy Krueger on the Goldbergas. Though it’s only a small appearance on a sitcom, fans still got a smile to see the Spring Wood Slasher come back. Even by doing this bit part, Englund proved he’s still the one and only Freddy Krueger.

image via Movie Web, ‘Nightmare on Elm Street’ dir Wes Craven

However, there is now a lot of talk among the rumor mill. Robert Englund says he feels like he has one more Košmaras Guobų gatvėje jame.

Englund returning to Elm Street would be a huge success. But only if they take a note from Helovinas and return Freddy back to his evil roots. Before the idiotic Fredis mirė stuff. Make Freddy scary again.

Not only that, but Heather Langenkamp says she would love to return for another NE film. So my Nasties, cross your fingers! We may see Nancy battling Freddy again!

Image via Dread Central, ‘Nightmare on Elm Street’ dir. Wes Craven

Not to mention there is also talk of getting Jason back on the big screen.

Things are looking good for horror fans. Our icons have made a masterful return and given us a lot to be excited about.

So my lovely Nasties, have a great Halloween! Celebrate the holiday with friends and loved ones, and don’t forget to turn off the lights and watch some wicked fun horror movies.

 

„Ghostbusters: Frozen Empire“ Spragėsių kibiras

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Atskleidžiamas naujas Nicolaso ​​Cage'o išgyvenimo kūrinio „Arkadianas“ plakatas [Anonsas]

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Nicolas Cage'as Arkadianas

Naujausiame kino projekte, kuriame vaidina Nicolas Cage'as, "Arkadietis" pasirodo kaip įtikinama būtybė, kupina įtampos, siaubo ir emocinio gylio. RLJE Films neseniai išleido naujų vaizdų seriją ir patrauklų plakatą, siūlantį žiūrovams pažvelgti į baisų ir jaudinantį filmų pasaulį. „Arkadinis“. Planuojama pasirodyti kino teatruose Balandis 12, 2024, filmas vėliau bus pasiekiamas Shudder ir AMC+, todėl plati auditorija galės patirti įspūdingą jo pasakojimą.

Arkadietis Filmo anonsas

Kino filmų asociacija (MPA) šiam filmui skyrė „R“ įvertinimą „kruvini vaizdai“, užuomina apie viscerališką ir intensyvią žiūrovų laukiančią patirtį. Filmas semiasi įkvėpimo iš pripažintų siaubo etalonų, tokių kaip „Rami vieta“, audžianti postapokaliptinę pasaką apie tėvą ir du jo sūnus, naršančius apleistame pasaulyje. Po katastrofiško įvykio, dėl kurio ištuštėja planeta, šeima susiduria su dvigubu iššūkiu – išgyventi distopinėje aplinkoje ir išsisukti nuo paslaptingų naktinių būtybių.

Šioje šiurpioje kelionėje kartu su Nicolas Cage'u prisijungia Jaedenas Martellas, žinomas dėl savo vaidmens „IT“ (2017), Maxwellas Jenkinsas iš „Paklydęs erdvėje“ ir Sadie Soverall, rodomi „Likimas: „Winx Saga“. Režisierius Benas Breweris ("Pasitikėjimas") ir parašė Mike'as Nilonas ("Drąsus"), „Arkadinis“ žada unikalų aštraus pasakojimo ir įelektrinančio išgyvenimo siaubo derinį.

Maxwellas Jenkinsas, Nicolasas Cage'as ir Jaedenas Martellas 

Kritikai jau pradėjo girti „Arkadinis“ už vaizdingą monstrų dizainą ir jaudinančias veiksmų sekas, su viena apžvalga iš Kraujo bjaurus pabrėžiant filmo pusiausvyrą tarp emocinio brandinimo elementų ir širdį veriančio siaubo. Nepaisant dalijimosi teminiais elementais su panašaus žanro filmais, „Arkadinis“ išsiskiria savo kūrybišku požiūriu ir veiksmu paremtu siužetu, žadėdamas kinematografinę patirtį, kupiną paslapties, įtampos ir nepaliaujamo įspūdžių.

Arkadietis Oficialus filmo plakatas

„Ghostbusters: Frozen Empire“ Spragėsių kibiras

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„Mikė Pūkuotukas: Kraujas ir medus 3“ yra puikus su padidintu biudžetu ir naujais personažais

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Mikė Pūkuotukas 3

Oho, jie greitai viską sumaišo! Artėjantis tęsinys „Mikė Pūkuotukas: kraujas ir medus 3“ oficialiai juda į priekį, žadėdamas išplėstą pasakojimą su didesniu biudžetu ir pristatyti mylimus personažus iš AA Milne'o originalių pasakų. Kaip patvirtino Įvairovė, trečioji siaubo franšizės dalis į savo tamsų ir vingiuotą pasakojimą priims Triušį, šeivamedžius ir vozles.

Šis tęsinys yra dalis ambicingos kinematografinės visatos, kuri vaikų istorijas perkuria kaip siaubo pasakas. Šalia „Mikė Pūkuotukas: kraujas ir medus“ ir pirmasis jos tęsinys, visata apima tokius filmus kaip „Piterio Peno košmaras iš niekur“, „Bambi: atsiskaitymas“, ir „Nesuktas pinokis“. Šie filmai turi susilieti kryžminiame įvykyje „Pūkuotukas: monstrų susirinkimas“ planuojama išleisti 2025 m.

Mikės Pūkuotuko Pūkuotuko pasaulis

Sukurti šiuos filmus tapo įmanoma, kai AA Milne'as 1926 m. paskelbė knygą vaikams "Mikė Pūkuotukas" praėjusiais metais pateko į viešumą, todėl filmų kūrėjai galėjo tyrinėti šiuos brangius personažus precedento neturinčiais būdais. Režisierius Rhysas Frake'as-Waterfieldas ir prodiuseris Scottas Jeffrey'us Chambersas iš „Jagged Edge Productions“ vadovavo šiam novatoriškam darbui.

Rabbit, heffalumps ir woozles įtraukimas į būsimą tęsinį įveda naują franšizės sluoksnį. Originaliose Milne'o istorijose heffalumps yra įsivaizduojamos būtybės, primenančios dramblius, o vilnos žinomos dėl savo į žebenkštį panašių savybių ir pomėgio vogti medų. Jų vaidmenys pasakojime dar nepastebimi, tačiau jų papildymas žada praturtinti siaubo visatą gilesniais ryšiais su šaltinio medžiaga.

„Ghostbusters: Frozen Empire“ Spragėsių kibiras

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Kaip žiūrėti filmą „Vėlyva naktis su velniu“ iš namų: datos ir platformos

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Vėlyvas vakaras su velniu

Gerbėjams, norintiems savo namuose pasinerti į vieną daugiausiai diskusijų sukėlusių siaubo filmų šiais metais, „Vėlyva naktis su velniu“ bus galima tik transliuoti Šiurpas nuo 19 m. balandžio 2024 d. Šio pranešimo buvo labai laukta po sėkmingo filmo pasirodymo kino teatruose IFC Films, kuris sulaukė puikių įvertinimų ir rekordinio platintojo atidarymo savaitgalio.

„Vėlyva naktis su velniu“ pasirodo kaip išskirtinis siaubo filmas, sužavintis ir publiką, ir kritikus, o pats Stephenas Kingas labai giria 1977 m. Filmas, kuriame pagrindinį vaidmenį atlieka Davidas Dastmalchianas, vyksta Helovino vakarą per tiesioginę vėlyvą pokalbių laidą, kuri pražūtingai išlaisvina blogį visoje šalyje. Šis rastas filmuotos medžiagos stiliaus filmas ne tik išgąsdina, bet ir autentiškai perteikia 1970-ųjų estetiką, įtraukdamas žiūrovus į košmarišką scenarijų.

Davidas Dastmalchianas Vėlinė naktis su velniu

Pradinė filmo kasos sėkmė – 2.8 mln. USD 1,034 kino teatruose – pabrėžia jo patrauklumą ir didžiausias atidarymo savaitgalis, skirtas IFC filmų išleidimui. Kritiškai pritarta, „Vėlyva naktis su velniu“ gali pasigirti 96 % teigiamu Rotten Tomatoes įvertinimu iš 135 atsiliepimų, sutariama, kad jis atgaivino siaubo žanrą ir demonstruoja išskirtinį Davido Dastmalchiano pasirodymą.

Rotten Tomatoes rezultatas 3-28-2024

Simonas Rotheris iš iHorror.com apibendrina filmo žavesį, pabrėždama įtraukiančią jo kokybę, kuri nukelia žiūrovus į aštuntąjį dešimtmetį ir leidžia jiems pasijusti taip, lyg būtų baisios Helovino „Naktinės pelėdos“ transliacijos dalimi. Rotheris giria filmą už kruopščiai parengtą scenarijų ir emocingą bei šokiruojančią kelionę, į kurią jis nuveda žiūrovus, teigdamas, „Visa ši patirtis privers žiūrovus priklijuoti prie savo ekrano brolių Kernsų filmo... Scenarijus nuo pradžios iki pabaigos yra dailiai susiūtas su pabaiga, kurios žandikauliai bus ant grindų. Visą apžvalgą galite perskaityti čia.

Rotheris toliau skatina žiūrovus žiūrėti filmą, pabrėždamas jo daugialypį patrauklumą: „Kai jis bus jums prieinamas, turite pabandyti peržiūrėti naujausią „Cairnes Brothers“ projektą, nes jis jus juokins, išgąsdins, nustebins ir netgi gali užklupti emocinę laidą.

Nustatyta, kad Shudder būtų transliuojamas 19 m. balandžio 2024 d. „Vėlyva naktis su velniu“ siūlo įtikinamą siaubo, istorijos ir širdies derinį. Šį filmą privalo žiūrėti ne tik siaubo filmų mėgėjai, bet ir visi, norintys pasilinksminti ir sujaudinti kino patirties, kuri iš naujo apibrėžia jo žanro ribas.

„Ghostbusters: Frozen Empire“ Spragėsių kibiras

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